Seguidores

sábado, 18 de agosto de 2012

TEMPLO DA RAINHA HATSHEPSUT

Que maravilha !
Não conheço ! Uma próxima viagem, quem sabe.
Já tenho o verbo, só falta a verba...
O Templo mortuário da Raínha Hatshepshut, o seu estilo arquitectónico é único. Foi projectado e construído por Senenmut, arquitecto da Rainha Hatshepsut. Esta Raínha (18ª Dinastia) governou como um autêntico faraó sendo assim considerada a 1ª mulher chefe do Governo na História. Este templo constitui uma visão impressionante, tendo sido talhado parcialmente na rocha, e a visão do mesmo funde-se na grandeza da encosta calcária que lhe serve de apoio. O templo foi posteriormente alterado por Ramses II e pelos seus sucessores, e mais tarde os cristãos transformaram-no num mosteiro (daí o nome Deir al-Bahri, que significa "Mosteiro do Norte"). Próximo ao templo principal situam-se as ruínas do Templo de Montuhotep II, Faraó da11ª Dinastia que unificou o Egipto, e o Templo de Tutmósis III, sucessor da Rainha Hatshepsut.
Maiores informações :

quinta-feira, 16 de agosto de 2012

PIRAMIDES (SITE DA UNESCO)



Brief Description

The capital of the Old Kingdom of Egypt has some extraordinary funerary monuments, including rock tombs, ornate mastabas, temples and pyramids. In ancient times, the site was considered one of the Seven Wonders of the World.
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© Editions Gelbart

Long Description

The ensemble at Memphis embraces a number of exceptional monuments of great antiquity. The step pyramid of the first pharaoh of the Memphis period, constructed entirely in limestone, is the oldest known architectural structure of this type, from regularly cut stone. At Giza, one of the oldest boats preserved today, the solar barge, was discovered intact in the complex around the Pyramid of Cheops. The archaic necropolis of Saqqara dates back to the period of the formation of the pharaonic civilization. The exceptional historic, artistic and sociological interest of these monuments bears witness to one of the most brilliant civilizations of this planet.
The capital of the Old Kingdom of Egypt has some extraordinary funerary monuments, including rock tombs, ornate mastabas, temples and pyramids. In ancient times, the pyramids were considered one of the Seven Wonders of the World.
The first sovereign of the unified Egyptian kingdom, Menes or Narmer, ordered the construction of a new capital in the area around the Nile Delta, the City of Menes, Mennufer, also know as Huta-Ka-Pta or dwelling of the Ka of Ptah, the most important sanctuary dedicated to the god of creative force, depicted as a ram-headed artisan working intently to shape humanity on his potter's wheel. Of the grandeur of Memphis, as it was known to the ancient Greeks, all that survive today are a few ruins of the sanctuary of Ptah, from which have come many votive statues depicting pharaohs and dignitaries and monumental necropolises.
In the necropolis of Saqqara, the closest to the capital and the largest in the land, stands the first great stone pyramid. It was built as a mausoleum by Djoser, the founder of the Third Dynasty. This was a transformation of the earlier tombs, shaped like great brick rectangles, with the walls sloping inward and a flat roof, commonly referred to as mastabas. For the first time brick was replaced by stone. The pyramid is located inside a funerary complex enclosed by a curtain wall rising to a height of 10 m built from a fine-grained limestone. There are 14 false stone doors in the enclosure wall and a monumental entrance consisting of a corridor and a hall flanked by columns. The entry path leads to a plaza known as the Courtyard of the Jubilee. One side of this is occupied by a great stepped podium upon which were arranged the thrones of the Pharaoh; to the east and to the west of the podium sanctuaries were constructed.
The founder of the Fourth Dynasty, Snefru, transformed the structure of the tomb once and for all by choosing the now familiar pyramid shape with a square base. In the necropolis of Dahshur stands the Red Pyramid, named after the reddish hue of the limestone that was used to build it. To the south is the Rhomboid Pyramid, with its double slope on each of the four faces, apparently an intermediate form. With Snefru for the first time the annex construction appeared.
Credit goes to the son of Snefru, Khufu or Cheops, and to his successors Rahaef (Chephren) and Menkaure (Mycerinus) for the construction of the great pyramids of Giza. The pyramid is a symbol of the Sun, the great god Ra, whose cult became pre-eminent from the Fourth Dynasty; the Pyramid Texts, found in the funerary chambers of the tombs dating from the end of the Old Kingdom, speak of the transformation of the dead king into the Sun.
The 'Horizon of Cheops' was the name given to the Pharaoh's tomb, the oldest and the largest. The entrance is located in the middle of the north side. In the interior the narrow passageway splits in two: one leading to a chamber carved into the rock beneath the monument, and the other to a small room called the 'Chamber of the Queen' and thence to the Great Gallery and the large 'Chamber of the King'.
The other two pyramids were known in antiquity as 'Great is Chepren' and 'Divine is Mycerinus' respectively. Each tomb forms part of the classic funerary complex first built at the behest of Snefru.
Source: UNESCO/CLT/WHC

quarta-feira, 15 de agosto de 2012

BARCO NUMA QUARTA !!!


O que faz 
um Barco parado 
em plena quarta feira ?
Se fosse Domingo..
Tudo bem ...
Para os Barcos..
não existem dias
da semana...

quinta-feira, 9 de agosto de 2012

FRANCESCA !!!


Francesca é Italiana !!!
Violetta volta para 
as Ferias !!!
Elizabeth III esta em
Londres competindo
nas Olimpíadas !!!
Marinalva navega 
em Mar Aberto !!

quarta-feira, 8 de agosto de 2012

MARK TWAIN (1835-1910)


"Life is short, break the rules, 

forgive quickly, kiss slowly, love truly,

laugh uncontrollably, and never regret 

anything that made you smile. 

Twenty years from now you will be 

more disappointed by the things you 

didn't do than by the ones you did. 

So throw off the bowlines. 

Sail away from the safe harbor. 

Catch the trade winds in your sails. 

Explore. Dream. Discover".

segunda-feira, 6 de agosto de 2012

DESCOBERTAS !!!!


Num primeiro momento..
uma paisagem pode
revelar muito...
num segundo...
nem tanto...
é preciso 
descobrir bem...
lentamente ...

sexta-feira, 3 de agosto de 2012

quinta-feira, 2 de agosto de 2012

PEDRAS E LAGOS !!!




Pedras e Lagos !!!
Me lembram parentes próximos !!!
Cada um com sua dureza 
e sua moleza !!!

quarta-feira, 1 de agosto de 2012

domingo, 22 de julho de 2012

terça-feira, 17 de julho de 2012

FERIAS 2



FERIAS 
CHEGANDO 
AO FINAL !
DE VOLTA EM
1 DE AGOSTO !

BY STEVEN ALEXANDER !!!!




GONÇALO IVO: Lamento


Gonçalo Ivo, Lamento, 2011, 240 x 120 cm, oil on linen

Last week at Galeria Anita Schwartz in Rio de Janeiro, Brazilian painter Gonçalo Ivo presented a 3-day exhibition of his Lamento series, comprised of 21 paintings from the past two years. The Event (with a capital E) celebrated the publication by ContraCapa of his new monograph, Oratorio, which features these works and many other major recent paintings, as well as essays by myself and three other writers, with English, French & Portuguese translations. See more about the book HERE

As glorious as these photographs of the installation are, I must say they do not fully capture the sumptuous color and the physical presence of these remarkable paintings. Gonçalo continues to achieve a weightless luminosity combined with a density of surface, making objects that pulsate and breathe with the pure substance of life. They are deeply emotional works that, like a great moaning Delta blues, evoke a sense of loss and longing through magnificent beauty. 

 Gonçalo Ivo, Lamento, installation panorama, 2012
 Gonçalo Ivo, Lamento, installation detail, 2012
 Gonçalo Ivo, Lamento, installation detail, 2012
 Gonçalo Ivo, Lamento, installation detail, 2012

Gonçalo Ivo, Lamento, installation detail, 2012
photos © Gonçalo Ivo

BY STEVEN ALEXANDER JOURNAL


GONÇALO IVO: Lamento


Gonçalo Ivo, Lamento, 2011, 240 x 120 cm, oil on linen

Last week at Galeria Anita Schwartz in Rio de Janeiro, Brazilian painter Gonçalo Ivo presented a 3-day exhibition of his Lamento series, comprised of 21 paintings from the past two years. The Event (with a capital E) celebrated the publication by ContraCapa of his new monograph, Oratorio, which features these works and many other major recent paintings, as well as essays by myself and three other writers, with English, French & Portuguese translations. See more about the book HERE

As glorious as these photographs of the installation are, I must say they do not fully capture the sumptuous color and the physical presence of these remarkable paintings. Gonçalo continues to achieve a weightless luminosity combined with a density of surface, making objects that pulsate and breathe with the pure substance of life. They are deeply emotional works that, like a great moaning Delta blues, evoke a sense of loss and longing through magnificent beauty. 

 Gonçalo Ivo, Lamento, installation panorama, 2012
 Gonçalo Ivo, Lamento, installation detail, 2012
 Gonçalo Ivo, Lamento, installation detail, 2012
 Gonçalo Ivo, Lamento, installation detail, 2012

Gonçalo Ivo, Lamento, installation detail, 2012
photos © Gonçalo Ivo




http://stevenalexanderjournal.blogspot.com.br/

domingo, 15 de julho de 2012

Milva - Bella Ciao (Белла чао)




Stamattina mi sono alzato
,
o bella ciao, bella ciao, bella ciao ciao ciao,


|: Stamatina mi sono alzato



Eho trovato l'invasor. :|



O partigiano portami via


o bella ciao, bella ciao, bella ciao ciao ciao,


|: O partigiano portami via


Che mi sento di morir. :|



E se io muoio da partigiano


o bella ciao, bella ciao, bella ciao ciao ciao,


|: E se io muoio da partigiano


Tu mi devi seppellir. :|





Seppellire lassú in montagna,


o bella ciao, bella ciao, bella ciao ciao ciao,

|: Seppellire lassú in montagna


Sotto l'ombra di un bel fior. :|



E le genti che passeranno


o bella ciao, bella ciao, bella ciao ciao ciao,


|: E le genti che passeranno



Ti diranno o che bel fior. :|


E' questo il fiore del partigiano


o bella ciao, bella ciao, bella ciao ciao ciao,

|: E' questo il fiore del partigino


Morto per la libertá. :|